[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"kb-article-en-add-or-omit-a-note":3,"i-fas:globe":290,"i-far:chevron-down":294,"i-far:bars":297,"i-far:magnifying-glass":299,"i-far:gear":301,"i-far:comment":303,"kb-categories-en":305,"kb-related-en-add-or-omit-a-note":432,"i-far:chevron-right":455,"i-far:calendar":458,"i-far:clock":460,"i-far:circle-question":462},{"id":4,"slug":4,"title":5,"description":6,"categoryId":7,"tags":8,"related":10,"order":15,"lastUpdated":16,"lastUpdatedKey":17,"lastUpdatedValue":18,"featured":19,"readMinutes":20,"path":21,"href":22,"__fallback":23,"body":24,"tocLinks":285},"add-or-omit-a-note","How do I add or leave a note out of a chord?","Use the Add row to bring in a colour tone like add9, and the Omit row to leave out the 3rd, 5th, or an upper note. Both sit in the chord builder.","chord-builder",[7,9],"voicings",[11,12,13,14],"build-a-chord-with-buttons","add-7th-9th-11th-13th","add-altered-notes","what-is-an-optional-note",null,"2026-05-31","knowledgeBase.relativeTime.weeksAgo",7,true,1,"\u002Fchord-builder\u002Fadd-or-omit-a-note","\u002Fknowledgebase\u002Fadd-or-omit-a-note",false,{"type":25,"value":26,"toc":282},"minimark",[27,49,54,88,98,114,118,139,159,179,183,195,225,242,246,249],[28,29,30,31,35,36,40,41,44,45,48],"p",{},"Use the ",[32,33,34],"strong",{},"Add"," row to bring in a single colour tone - like the 9 in ",[37,38,39],"code",{},"Cadd9"," - and the ",[32,42,43],{},"Omit"," row to leave a note out, whether that's the 3rd, the 5th, or an upper note your chord doesn't strictly need. Both rows sit in the chord builder, just below ",[32,46,47],{},"Alterations",".",[50,51,53],"h2",{"id":52},"the-add-row-bring-in-a-colour-tone","The Add row - bring in a colour tone",[28,55,56,57,59,60,63,64,63,67,63,70,73,74,77,78,80,81,83,84,87],{},"The ",[32,58,34],{}," row holds five degrees: ",[32,61,62],{},"2",", ",[32,65,66],{},"4",[32,68,69],{},"9",[32,71,72],{},"11",", and ",[32,75,76],{},"13",". Tap one and that note joins your chord on its own, without dragging the lower extensions along - so tapping ",[32,79,69],{}," here gives you ",[37,82,39],{}," (the triad plus the 9), not ",[37,85,86],{},"C9"," (which would also pull in the 7th).",[28,89,90,91,94,95,97],{},"There's no ",[32,92,93],{},"6"," on this row on purpose. An added 6th is the same chord as the ",[32,96,93],{}," button on the Extensions row, so you pick that one up there instead.",[28,99,100,101,103,104,106,107,63,109,73,111,113],{},"On a sus2 or sus4 chord, the ",[32,102,62],{}," and ",[32,105,66],{}," are switched off. A sus chord is already built around the 2nd or the 4th, so adding them again would only re-spell the same chord. ",[32,108,69],{},[32,110,72],{},[32,112,76],{}," stay available on any chord.",[50,115,117],{"id":116},"the-omit-row-leave-a-note-out","The Omit row - leave a note out",[28,119,56,120,122,123,103,126,129,130,132,133,135,136,138],{},[32,121,43],{}," row always shows ",[32,124,125],{},"3",[32,127,128],{},"5",", so you can drop the third or the fifth whenever you like. Tap ",[32,131,125],{}," to remove the third - the chord stops clearly saying major or minor. Tap ",[32,134,128],{}," to remove the fifth, which is common in fuller chords where the fifth is the easiest note to spare. On a sus2 or sus4 chord there's no third to begin with, so ",[32,137,125],{}," is greyed out.",[28,140,141,142,145,146,149,150,152,153,158],{},"The row grows with your chord. As soon as a chord carries upper notes you might want to thin out, those degrees appear too - build a ",[37,143,144],{},"C13"," and the Omit row becomes ",[32,147,148],{},"3 5 7 9 11",", letting you lift out any of the stacked notes. The chord keeps its name (",[37,151,144],{},"), but the note you leave out is dropped from the actual shapes - much like the ",[154,155,157],"a",{"href":156},"\u002Fknowledgebase\u002Fwhat-is-an-optional-note","optional notes"," Fretscape already marks in some voicings. Remove or change the extension that brought those notes in, and any omit that no longer applies clears itself automatically.",[28,160,161,162,165,166,169,170,173,174,165,176,178],{},"One pairing isn't allowed: the 5th can't be both altered and omitted. Picking ",[32,163,164],{},"♭5"," or ",[32,167,168],{},"♯5"," clears an ",[32,171,172],{},"omit 5",", and omitting the 5th clears a ",[32,175,164],{},[32,177,168],{}," - whichever you choose last wins.",[50,180,182],{"id":181},"add-row-vs-the-extensions-row","Add row vs the Extensions row",[28,184,185,186,188,189,191,192,194],{},"It's worth knowing the difference between the two, because both carry a ",[32,187,69],{},", an ",[32,190,72],{},", and a ",[32,193,76],{},":",[196,197,198,215],"ul",{},[199,200,201,204,205,207,208,210,211,48],"li",{},[32,202,203],{},"Extensions"," stack. A ",[32,206,69],{}," there builds a full ",[37,209,86],{}," that already contains the 7th - see ",[154,212,214],{"href":213},"\u002Fknowledgebase\u002Fadd-7th-9th-11th-13th","how extensions stack",[199,216,217,219,220,80,222,224],{},[32,218,34],{}," doesn't stack. A ",[32,221,69],{},[37,223,39],{}," - the triad plus that one note.",[28,226,227,228,165,231,234,235,237,238,48],{},"For altered colour tones like ",[37,229,230],{},"add♭9",[37,232,233],{},"add♯9",", use the ",[32,236,47],{}," row instead - see ",[154,239,241],{"href":240},"\u002Fknowledgebase\u002Fadd-altered-notes","how to add altered notes",[50,243,245],{"id":244},"why-youd-want-any-of-this","Why you'd want any of this",[28,247,248],{},"A few common reasons:",[196,250,251,257,263,276],{},[199,252,253,256],{},[32,254,255],{},"Voice leading."," Leaving out the 5th can make room for a smoother shape; leaving out the 3rd can avoid clashing with a melody or keep the chord deliberately open.",[199,258,259,262],{},[32,260,261],{},"Stretches."," Skipping a note can free up your hand for a shape that would otherwise be too wide.",[199,264,265,268,269,103,272,275],{},[32,266,267],{},"Specific chord names."," ",[37,270,271],{},"add9",[37,273,274],{},"(omit5)"," are part of real chord notation, and Fretscape needs to know which version you want.",[199,277,278,281],{},[32,279,280],{},"Ambiguity on purpose."," A chord without the 3rd doesn't commit to major or minor - handy for the open, less-decided sound of a power chord.",{"title":283,"searchDepth":284,"depth":284,"links":285},"",2,[286,287,288,289],{"id":52,"depth":284,"text":53},{"id":116,"depth":284,"text":117},{"id":181,"depth":284,"text":182},{"id":244,"depth":284,"text":245},{"left":291,"top":291,"width":292,"height":292,"rotate":291,"vFlip":23,"hFlip":23,"body":293},0,512,"\u003Cpath fill=\"currentColor\" d=\"M351.9 280l-190.9 0c2.9 64.5 17.2 123.9 37.5 167.4 11.4 24.5 23.7 41.8 35.1 52.4 11.2 10.5 18.9 12.2 22.9 12.2s11.7-1.7 22.9-12.2c11.4-10.6 23.7-28 35.1-52.4 20.3-43.5 34.6-102.9 37.5-167.4zM160.9 232l190.9 0C349 167.5 334.7 108.1 314.4 64.6 303 40.2 290.7 22.8 279.3 12.2 268.1 1.7 260.4 0 256.4 0s-11.7 1.7-22.9 12.2c-11.4 10.6-23.7 28-35.1 52.4-20.3 43.5-34.6 102.9-37.5 167.4zm-48 0C116.4 146.4 138.5 66.9 170.8 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time.",[311,312],"far","rocket",[314,315],"chord-search","settings",{"id":317,"slug":317,"name":318,"description":319,"icon":320,"count":322,"order":284,"related":323,"featured":23},"account-and-sign-in","Account & Sign In","Manage your profile, email, and authentication.",[311,321],"circle-user",11,[324,325],"pricing-and-billing","privacy-and-legal",{"id":324,"slug":324,"name":327,"description":328,"icon":329,"count":331,"order":332,"related":333,"featured":23},"Pricing & Billing","Subscriptions, upgrades, and payment methods.",[311,330],"wallet",18,3,[317,325],{"id":314,"slug":314,"name":335,"description":336,"icon":337,"count":339,"order":340,"related":341,"featured":23},"Chord Search","How to find specific chords and variations.",[311,338],"magnifying-glass",8,4,[7,342],"voicings-and-diagrams",{"id":7,"slug":7,"name":344,"description":345,"icon":346,"count":18,"order":348,"related":349,"featured":23},"Chord Builder","Constructing custom chords note by note.",[311,347],"wrench",5,[314,350],"progressions",{"id":342,"slug":342,"name":352,"description":353,"icon":354,"count":339,"order":356,"related":357,"featured":23},"Voicings & Diagrams","Reading chord charts and understanding inversions.",[311,355],"layer-group",6,[314,358],"tunings-and-capo",{"id":358,"slug":358,"name":360,"description":361,"icon":362,"count":356,"order":18,"related":364,"featured":23},"Tunings & Capo","Alternate tunings, capo positions, and custom string setups.",[311,363],"music",[342,314],{"id":366,"slug":366,"name":367,"description":368,"icon":369,"count":284,"order":339,"related":371,"featured":23},"playback-and-audio","Playback & Audio","Hearing your chords and progressions out loud.",[311,370],"circle-play",[350,315],{"id":373,"slug":373,"name":374,"description":375,"icon":376,"count":348,"order":378,"related":379,"featured":23},"favourites","Favourites","Saving voicings and progressions you want to come back to.",[311,377],"heart",9,[342,350],{"id":350,"slug":350,"name":381,"description":382,"icon":383,"count":291,"order":385,"related":386,"featured":23},"Progressions","Building, optimising, and sharing chord progressions.",[311,384],"diagram-project",10,[7,342],{"id":388,"slug":388,"name":389,"description":390,"icon":391,"count":291,"order":322,"related":393,"featured":23},"reverse-lookup","Reverse Lookup","Identifying a chord from the notes you're playing.",[311,392],"clock-rotate-left",[314,342],{"id":315,"slug":315,"name":395,"description":396,"icon":397,"count":291,"order":399,"related":400,"featured":23},"Settings","Customising Fretscape for your setup and preferences.",[311,398],"gear",12,[358,342],{"id":325,"slug":325,"name":402,"description":403,"icon":404,"count":18,"order":406,"related":407,"featured":23},"Privacy & Legal","How your data is handled and how to exercise your rights.",[311,405],"shield-check",13,[317,324],{"id":409,"slug":409,"name":410,"description":411,"icon":412,"count":291,"order":414,"related":415,"featured":23},"troubleshooting","Troubleshooting","Solutions when something isn't working as expected.",[311,413],"triangle-exclamation",14,[315,307],{"id":417,"slug":417,"name":418,"description":419,"icon":420,"count":356,"order":422,"related":423,"featured":23},"mobile-and-android","Mobile & Android","Using Fretscape on phones and tablets.",[311,421],"mobile-screen",15,[307,315],{"id":425,"slug":425,"name":426,"description":427,"icon":428,"count":291,"order":430,"related":431,"featured":23},"known-limitations","Known Limitations","Things Fretscape doesn't do yet - and what we're working on.",[311,429],"circle-info",16,[409,350],[433,443,449],{"id":11,"slug":11,"title":434,"description":435,"categoryId":7,"tags":436,"related":438,"order":15,"lastUpdated":16,"lastUpdatedKey":17,"lastUpdatedValue":18,"featured":23,"readMinutes":20,"path":441,"href":442,"__fallback":23},"How do I build a chord with the buttons?","Pick a root in the chord builder, then a quality, then any extensions or alterations you want. The chord name and the voicings underneath update as you go.",[7,314,437],"overview",[439,12,440],"type-a-chord-name","find-a-chord","\u002Fchord-builder\u002Fbuild-a-chord-with-buttons","\u002Fknowledgebase\u002Fbuild-a-chord-with-buttons",{"id":12,"slug":12,"title":444,"description":445,"categoryId":7,"tags":446,"related":447,"order":15,"lastUpdated":16,"lastUpdatedKey":17,"lastUpdatedValue":18,"featured":23,"readMinutes":20,"path":448,"href":213,"__fallback":23},"How do I add a 7th, 9th, 11th, or 13th?","Tap any button in the Extensions row. Higher extensions automatically include the lower ones, so adding a 9 also brings in the 7.",[7,9],[11,13,4],"\u002Fchord-builder\u002Fadd-7th-9th-11th-13th",{"id":13,"slug":13,"title":450,"description":451,"categoryId":7,"tags":452,"related":453,"order":15,"lastUpdated":16,"lastUpdatedKey":17,"lastUpdatedValue":18,"featured":23,"readMinutes":20,"path":454,"href":240,"__fallback":23},"How do I add altered notes like ♯5 or ♭9?","Tap any button in the Alterations row to alter a chord tone or add an altered upper colour note. 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