[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"blog-post-uk-what-key-is-this-progression-actually-in":3,"i-fas:globe":389,"i-far:chevron-down":394,"i-far:bars":397,"i-far:gear":399,"i-far:comment":401,"blog-related-uk-what-key-is-this-progression-actually-in":403,"i-far:arrow-left":445,"i-far:globe":447,"i-far:circle-question":449},{"id":4,"slug":4,"title":5,"description":6,"date":7,"lastUpdated":7,"lastUpdatedKey":8,"lastUpdatedValue":9,"author":10,"tags":11,"coverImage":18,"coverImageAlt":19,"ogImage":20,"series":17,"seriesOrder":21,"readMinutes":22,"path":23,"href":24,"__fallback":25,"body":26,"tocLinks":375},"what-key-is-this-progression-actually-in","What Key Is This Progression Actually In?","Most key finders match scales and give you a confident-looking answer. Fretscape asks what the progression actually suggests - and tells you how sure it is.","2026-06-09","knowledgeBase.relativeTime.monthsAgo",2,"Kyle",[12,13,14,15,16,17],"fretscape","guitar","key-detection","music-theory","product-building","how-fretscape-thinks","\u002Fimages\u002Fblog\u002Fwhat-key-is-this-progression-actually-in-hero.webp","A vintage brass compass resting on aged sheet music, its needle settling toward a marked point, with a faint pencilled question mark nearby","\u002Fimages\u002Fblog\u002Fwhat-key-is-this-progression-actually-in-hero.jpg",5,4,"\u002Fwhat-key-is-this-progression-actually-in","\u002Fblog\u002Fwhat-key-is-this-progression-actually-in",true,{"type":27,"value":28,"toc":373},"minimark",[29,33,36,46,52,55,58,72,77,84,87,94,97,101,104,111,114,118,121,128,143,150,157,163,167,174,176,179,186,193,197,204,211,214,217,221,228,239,242,245,252,262,265,269,272,295,298,305,312,315,325,333,335,339,344,347,351,354,358,365],[30,31,32],"p",{},"I gave a few online key finders the same four chords. Fmaj7. Cmaj7. Am7. Em7.",[30,34,35],{},"They all pointed at C Major. Or C \u002F A minor. Some did it with the kind of confidence that made the answer look settled.",[30,37,38,45],{},[39,40,44],"a",{"href":41,"rel":42},"https:\u002F\u002Ffretscape.com\u002Fabout",[43],"nofollow","Fretscape"," said something different.",[30,47,48],{},[49,50,51],"em",{},"C Major 34%. E Phrygian 28%. A Minor 27%. F Lydian 11%.",[30,53,54],{},"Plus a warning that the progression strongly suggested multiple possible keys.",[30,56,57],{},"If you read those numbers and think Fretscape sounds less sure of itself than the other tools - you're right. That's the whole point of this post.",[59,60,61],"blockquote",{},[30,62,63,67,68,71],{},[64,65,66],"strong",{},"TL;DR","\nMost key finders match scales. They look at the chords, find the major or minor scale that contains the notes, and return a confident-looking answer. That's a useful first pass, but it's a different question to ",[49,69,70],{},"what key does this progression actually feel like."," Fretscape weighs competing tonal centres, modal readings, and how the progression resolves - and returns calibrated confidence rather than confident-looking match scores. For ambiguous progressions, that means showing the ambiguity instead of pretending it isn't there.",[73,74,76],"h2",{"id":75},"the-progression","The progression",[30,78,79,80,83],{},"Take ",[64,81,82],{},"Fmaj7 → Cmaj7 → Am7 → Em7",".",[30,85,86],{},"The notes across all four chords: C, D, E, F, G, A, B. That's the full C major collection - not a single sharp or flat. Every chord sits diatonically inside it.",[30,88,89,90,93],{},"Most key finders stop there. They return ",[49,91,92],{},"C Major",", often at 100%, and call it done.",[30,95,96],{},"That's the easy answer. It's also incomplete.",[73,98,100],{"id":99},"why-c-major-is-right","Why C Major is right",[30,102,103],{},"In C major, the progression analyses cleanly:",[30,105,106,108],{},[64,107,82],{},[49,109,110],{},"IVmaj7 → Imaj7 → vi7 → iii7",[30,112,113],{},"Every chord belongs to C major. There's no ambiguity at the parent-scale level. So C Major being the strongest candidate is correct.",[73,115,117],{"id":116},"why-c-major-isnt-enough","Why C Major isn't enough",[30,119,120],{},"But here's the thing about progressions - they don't always feel like their parent key.",[30,122,123,124,127],{},"The same four chords sit just as cleanly inside ",[64,125,126],{},"A natural minor",", the relative minor of C. That's two competing tonal centres before we've even left the diatonic frame.",[30,129,130,131,134,135,138,139,142],{},"And if you actually ",[49,132,133],{},"listen"," to the loop - pay attention to where it lands, how it sits - the final ",[64,136,137],{},"Em7"," can feel like home. The opening ",[64,140,141],{},"Fmaj7"," is a semitone above E. That's not a coincidence. It's the defining sound of E Phrygian. The flat-second-degree chord against the tonic.",[30,144,145,146,149],{},"Suddenly the progression has another reading: ",[64,147,148],{},"♭IImaj7 → ♭VImaj7 → iv7 → i7"," in E Phrygian. A coherent modal-minor interpretation. And depending on how the progression is played - held, resolved, looped - that reading can feel more true than the C Major one.",[59,151,152],{},[30,153,154],{},[49,155,156],{},"C Major is the most correct parent-scale answer. E Phrygian might be the more musical \"home\" answer when the loop is actually heard.",[30,158,159,160,162],{},"A key finder that just says ",[49,161,92],{}," isn't wrong. It's just missing what's actually happening.",[73,164,166],{"id":165},"what-fretscape-returns","What Fretscape returns",[30,168,169],{},[170,171],"img",{"alt":172,"src":173},"Fretscape's key detector showing four candidate keys with calibrated confidence and an ambiguity warning","\u002Fimages\u002Fblog\u002Fwhat-key-is-this-progression-actually-in-1.webp",[30,175,51],{},[30,177,178],{},"Four serious candidates, none of them dominant. Plus a warning that the progression is genuinely ambiguous.",[30,180,181,182,185],{},"Look at those percentages. C Major is the leader, but only by 6 points over E Phrygian and 7 over A Minor. The system isn't telling you ",[49,183,184],{},"\"definitely C Major.\""," It's telling you the chords have several musically valid readings, ranked by how likely each one is.",[30,187,188,189,192],{},"A simple scale-fit answer can't see this. A tool that grades on chord-tone membership says ",[49,190,191],{},"C Major contains every note, that's 100%, done."," The fact that the same notes also sit inside A minor - and that the loop's actual resolution matters - never enters the calculation.",[73,194,196],{"id":195},"why-the-f-candidate-is-f-lydian","Why the F candidate is F Lydian",[30,198,199,200,203],{},"The F-centred reading at 11% isn't ",[49,201,202],{},"F Major",". Plain F major contains B♭. The progression contains B natural - every Cmaj7 and Em7 puts B in the chord. So an F-centred reading of these four chords isn't F major. It's F Lydian.",[30,205,206,207,210],{},"Fretscape labels the candidate ",[49,208,209],{},"F Lydian",". It's only 11% - well behind the leaders. But the label still has to be right.",[30,212,213],{},"If the whole point of the tool is showing the right kind of uncertainty, the candidates that lose still have to be labelled honestly. F Major would be theory-wrong here. F Lydian isn't.",[30,215,216],{},"Even the 11% gets the right label.",[73,218,220],{"id":219},"what-calibrated-confidence-actually-means","What \"calibrated confidence\" actually means",[30,222,223,224,227],{},"When Fretscape says ",[49,225,226],{},"C Major - 34%",", that's not \"34% of the notes fit C major.\"",[30,229,230,231,234,235,238],{},"It's closer to a real probability. ",[49,232,233],{},"On comparable progressions, when Fretscape gives this level of confidence, the answer is correct about this often."," That's a different number to a chord-tone match ratio. A match ratio is just arithmetic - ",[49,236,237],{},"seven out of nine notes fit, that's 78%."," A calibrated confidence is a claim about how often the system is right.",[30,240,241],{},"For an ambiguous progression like this one, low confidence isn't a weakness. It's the honest answer. A 100% answer here would be suspicious - because the progression genuinely is ambiguous, and the percentages should reflect that.",[30,243,244],{},"That means 34% is not a bad score. It is the system refusing to turn ambiguity into fake certainty.",[59,246,247],{},[30,248,249],{},[49,250,251],{},"A 100% answer isn't always a smarter answer. Sometimes the musical answer is: this progression is genuinely ambiguous.",[30,253,254,255,258,259],{},"That reframes what ",[49,256,257],{},"low confidence"," means in the UI. A scale-matching tool that returns 67% is admitting the chords don't all fit. A calibrated tool that returns 34% is saying ",[49,260,261],{},"here's the most likely reading, but there are real alternatives, and you should know that before you decide what key you're playing in.",[30,263,264],{},"Different number, different meaning.",[73,266,268],{"id":267},"why-this-is-the-same-decision-in-different-forms","Why this is the same decision in different forms",[30,270,271],{},"This is the fifth time I've written one of these posts. It keeps being the same decision in different forms.",[30,273,274,275,279,280,284,285,289,290,294],{},"The ",[39,276,278],{"href":277},"\u002Fblog\u002Fi-built-a-chord-optimiser-that-proved-me-wrong","Am → F transition story"," - the system understood physical movement better than my intuition did. The ",[39,281,283],{"href":282},"\u002Fblog\u002Fthe-optimiser-that-was-quietly-ignoring-me","progression optimiser bugs"," - the system wasn't respecting user intent. The ",[39,286,288],{"href":287},"\u002Fblog\u002Ftechnically-correct-vs-expected","voicing ranking fixes"," - the system wasn't respecting user expectation. The ",[39,291,293],{"href":292},"\u002Fblog\u002Fthe-wrong-name-ranked-first","reverse chord lookup honesty"," - the system was performing knowledge instead of giving it.",[30,296,297],{},"This one - the system knows when it doesn't know.",[30,299,300,301,304],{},"Every time, the same question: ",[49,302,303],{},"what does a guitarist actually want?"," Every time, the same answer: not the impressive-confident-looking maximum. The honest one.",[30,306,307,308,311],{},"A scale-fit tool tells you what your chords look like on paper. A tonal-centre tool tells you what your progression actually sounds like. It's the same reason Fretscape's ",[39,309,310],{"href":292},"reverse chord lookup"," doesn't show every name it can technically justify: membership isn't the same as identification. Those are different questions. Fretscape was built around the second.",[313,314],"hr",{},[59,316,317],{},[30,318,319,322],{},[49,320,321],{},"Most key finders tell you what scale your chords fit.",[49,323,324],{},"Fretscape tells you what key your progression actually suggests - and how sure it is.",[30,326,327,328,332],{},"This is the fifth of five ",[39,329,331],{"href":330},"\u002Fblog\u002Fhow-fretscape-thinks","How Fretscape Thinks"," posts. The other four are linked above.",[313,334],{},[73,336,338],{"id":337},"a-few-questions-this-raises","A few questions this raises",[340,341,343],"h3",{"id":342},"why-is-34-the-top-result","Why is 34% the top result?",[30,345,346],{},"Because the other candidates are also strong. C Major is the strongest parent-scale answer, but E Phrygian is a serious modal reading and A Minor shares the same notes. When four candidates are all musically defensible, no single one earns 70%. The percentage is a probability, not a match score.",[340,348,350],{"id":349},"should-i-trust-a-tool-that-says-its-only-34-sure","Should I trust a tool that says it's only 34% sure?",[30,352,353],{},"More than one that says it's 100% sure of an ambiguous progression. Confidence has to be earned. A tool that hands out high confidence freely is one that hasn't been honest about what it doesn't know. Calibrated low confidence is harder to build than uncalibrated high confidence - and far more useful.",[340,355,357],{"id":356},"what-if-i-just-want-a-single-key-for-songwriting","What if I just want a single key for songwriting?",[30,359,360,361,364],{},"Take the top candidate and run with it. C Major is a perfectly reasonable choice for this progression - the maths backs it, the chords work. But if your loop ",[49,362,363],{},"feels"," like it lands on Em7, you're not wrong, and you don't have to talk yourself out of it. Both readings are real. The post isn't telling you to pick the harder answer; it's telling you the easier answer is one of several, and the system shouldn't be hiding the others.",[30,366,367,368,372],{},"Want to try your own? You can ",[39,369,371],{"href":370},"\u002Fkey-finder","find the key from a set of chords"," and see the same ranked candidates, confidence and all.",{"title":374,"searchDepth":9,"depth":9,"links":375},"",[376,377,378,379,380,381,382,383],{"id":75,"depth":9,"text":76},{"id":99,"depth":9,"text":100},{"id":116,"depth":9,"text":117},{"id":165,"depth":9,"text":166},{"id":195,"depth":9,"text":196},{"id":219,"depth":9,"text":220},{"id":267,"depth":9,"text":268},{"id":337,"depth":9,"text":338,"children":384},[385,387,388],{"id":342,"depth":386,"text":343},3,{"id":349,"depth":386,"text":350},{"id":356,"depth":386,"text":357},{"left":390,"top":390,"width":391,"height":391,"rotate":390,"vFlip":392,"hFlip":392,"body":393},0,512,false,"\u003Cpath fill=\"currentColor\" d=\"M351.9 280l-190.9 0c2.9 64.5 17.2 123.9 37.5 167.4 11.4 24.5 23.7 41.8 35.1 52.4 11.2 10.5 18.9 12.2 22.9 12.2s11.7-1.7 22.9-12.2c11.4-10.6 23.7-28 35.1-52.4 20.3-43.5 34.6-102.9 37.5-167.4zM160.9 232l190.9 0C349 167.5 334.7 108.1 314.4 64.6 303 40.2 290.7 22.8 279.3 12.2 268.1 1.7 260.4 0 256.4 0s-11.7 1.7-22.9 12.2c-11.4 10.6-23.7 28-35.1 52.4-20.3 43.5-34.6 102.9-37.5 167.4zm-48 0C116.4 146.4 138.5 66.9 170.8 14.7 78.7 47.3 10.9 131.2 1.5 232l111.4 0zM1.5 280c9.4 100.8 77.2 184.7 169.3 217.3-32.3-52.2-54.4-131.7-57.9-217.3L1.5 280zm398.4 0c-3.5 85.6-25.6 165.1-57.9 217.3 92.1-32.7 159.9-116.5 169.3-217.3l-111.4 0zm111.4-48C501.9 131.2 434.1 47.3 342 14.7 374.3 66.9 396.4 146.4 399.9 232l111.4 0z\"\u002F>",{"left":390,"top":390,"width":395,"height":391,"rotate":390,"vFlip":392,"hFlip":392,"body":396},448,"\u003Cpath fill=\"currentColor\" d=\"M207.5 409c9.4 9.4 24.6 9.4 33.9 0l200-200c9.4-9.4 9.4-24.6 0-33.9s-24.6-9.4-33.9 0l-183 183-183-183c-9.4-9.4-24.6-9.4-33.9 0s-9.4 24.6 0 33.9l200 200z\"\u002F>",{"left":390,"top":390,"width":395,"height":391,"rotate":390,"vFlip":392,"hFlip":392,"body":398},"\u003Cpath fill=\"currentColor\" d=\"M0 88C0 74.7 10.7 64 24 64l400 0c13.3 0 24 10.7 24 24s-10.7 24-24 24L24 112C10.7 112 0 101.3 0 88zM0 256c0-13.3 10.7-24 24-24l400 0c13.3 0 24 10.7 24 24s-10.7 24-24 24L24 280c-13.3 0-24-10.7-24-24zM448 424c0 13.3-10.7 24-24 24L24 448c-13.3 0-24-10.7-24-24s10.7-24 24-24l400 0c13.3 0 24 10.7 24 24z\"\u002F>",{"left":390,"top":390,"width":391,"height":391,"rotate":390,"vFlip":392,"hFlip":392,"body":400},"\u003Cpath fill=\"currentColor\" d=\"M205.5 92.7l13.7-60.7 73.6 0 13.7 60.7c1.7 7.4 6.8 13.6 13.8 16.7 10.8 4.8 21 10.7 30.4 17.6 6.1 4.5 14.1 5.9 21.4 3.6l59.5-18.5 36.8 63.8-45.8 42.3c-5.6 5.2-8.4 12.7-7.6 20.2 1.3 11.5 1.3 23.7 0 35.2-.8 7.6 2 15.1 7.6 20.2l45.8 42.3-36.8 63.8-59.5-18.5c-7.3-2.3-15.2-.9-21.4 3.6-9.4 6.9-19.6 12.9-30.4 17.6-7 3.1-12.1 9.3-13.8 16.7l-13.7 60.7-73.6 0-13.7-60.7c-1.7-7.4-6.8-13.6-13.8-16.7-10.8-4.8-21-10.7-30.4-17.6-6.1-4.5-14.1-5.9-21.4-3.6l-59.5 18.5-36.8-63.8 45.8-42.3c5.6-5.2 8.4-12.7 7.6-20.2-1.3-11.5-1.3-23.7 0-35.2 .8-7.6-2-15.1-7.6-20.2l-45.8-42.3 36.8-63.8 59.5 18.5c7.3 2.3 15.2 .9 21.4-3.6 9.4-6.9 19.6-12.9 30.4-17.6 7-3.1 12.1-9.3 13.8-16.7zM212.8-16c-18.7 0-34.9 13-39 31.2L161.2 70.8c-6.3 3.2-12.3 6.7-18.2 10.5L88.6 64.4c-17.9-5.6-37.2 2-46.5 18.2L-1.1 157.4c-9.3 16.2-6.2 36.7 7.5 49.4l41.9 38.7c-.3 6.9-.3 14 0 21L6.4 305.2c-13.7 12.7-16.9 33.2-7.5 49.4l43.2 74.8c9.3 16.2 28.7 23.7 46.5 18.2l54.5-16.9c5.9 3.8 11.9 7.3 18.2 10.5l12.6 55.6c4.1 18.2 20.3 31.2 39 31.2l86.4 0c18.7 0 34.9-13 39-31.2l12.6-55.6c6.3-3.2 12.3-6.7 18.2-10.5l54.5 16.9c17.9 5.6 37.2-2 46.5-18.2l43.2-74.8c9.3-16.2 6.2-36.7-7.5-49.4l-41.9-38.7c.3-6.9 .3-14 0-21l41.9-38.7c13.7-12.7 16.8-33.2 7.5-49.4L470 82.6c-9.4-16.2-28.7-23.7-46.5-18.2L369 81.3c-5.9-3.8-11.9-7.3-18.2-10.5L338.3 15.2C334.1-3 317.9-16 299.2-16l-86.4 0zM304 256a48 48 0 1 1 -96 0 48 48 0 1 1 96 0zm-48-96a96 96 0 1 0 0 192 96 96 0 1 0 0-192z\"\u002F>",{"left":390,"top":390,"width":391,"height":391,"rotate":390,"vFlip":392,"hFlip":392,"body":402},"\u003Cpath fill=\"currentColor\" d=\"M51.9 384.9C19.3 344.6 0 294.4 0 240 0 107.5 114.6 0 256 0S512 107.5 512 240 397.4 480 256 480c-36.5 0-71.2-7.2-102.6-20L37 509.9c-3.7 1.6-7.5 2.1-11.5 2.1-14.1 0-25.5-11.4-25.5-25.5 0-4.3 1.1-8.5 3.1-12.2l48.8-89.4zm37.3-30.2c12.2 15.1 14.1 36.1 4.8 53.2l-18 33.1 58.5-25.1c11.8-5.1 25.2-5.2 37.1-.3 25.7 10.5 54.2 16.4 84.3 16.4 117.8 0 208-88.8 208-192S373.8 48 256 48 48 136.8 48 240c0 42.8 15.1 82.4 41.2 114.7z\"\u002F>",[404,422,434],{"id":405,"slug":405,"title":406,"description":407,"date":408,"lastUpdated":408,"lastUpdatedKey":409,"lastUpdatedValue":410,"author":10,"tags":411,"coverImage":415,"coverImageAlt":416,"ogImage":417,"series":418,"seriesOrder":418,"readMinutes":419,"path":420,"href":421,"__fallback":25},"where-even-a-good-chord-finder-breaks","Where Even a Good Chord Finder Breaks","Every chord finder nails an open C. Push past beginner shapes into altered dominants and slash chords and some return \"no chord found.\" Here is where they break.","2026-06-30","knowledgeBase.relativeTime.weeksAgo",7,[12,13,412,413,414,15,16],"reverse-chord-lookup","chord-identifier","chord-naming","\u002Fimages\u002Fblog\u002Fwhere-even-a-good-chord-finder-breaks-hero.webp","A single taut length of old natural rope straining over the edge of a worn wooden block, its fibres fraying and starting to part at the point of greatest tension, a small brass guitar tag tied to it, warm golden light","\u002Fimages\u002Fblog\u002Fwhere-even-a-good-chord-finder-breaks-hero.jpg",null,6,"\u002Fwhere-even-a-good-chord-finder-breaks","\u002Fblog\u002Fwhere-even-a-good-chord-finder-breaks",{"id":423,"slug":423,"title":424,"description":425,"date":426,"lastUpdated":426,"lastUpdatedKey":409,"lastUpdatedValue":410,"author":10,"tags":427,"coverImage":428,"coverImageAlt":429,"ogImage":430,"series":418,"seriesOrder":418,"readMinutes":431,"path":432,"href":433,"__fallback":25},"what-makes-a-good-chord-identifier","What Makes a Good Chord Identifier?","A rubric for judging any reverse chord lookup - check it yourself in 30 seconds. Plus a blind test where two independent AIs scored seven tools against theory.","2026-06-29",[12,13,412,413,414,15,16],"\u002Fimages\u002Fblog\u002Fwhat-makes-a-good-chord-identifier-hero.webp","A brass wax seal resting beside a single blob of warm red sealing wax freshly stamped with a small guitar emblem on aged paper, several blank unsealed sheets nearby, golden light","\u002Fimages\u002Fblog\u002Fwhat-makes-a-good-chord-identifier-hero.jpg",8,"\u002Fwhat-makes-a-good-chord-identifier","\u002Fblog\u002Fwhat-makes-a-good-chord-identifier",{"id":435,"slug":435,"title":436,"description":437,"date":438,"lastUpdated":439,"lastUpdatedKey":8,"lastUpdatedValue":9,"author":10,"tags":440,"coverImage":441,"coverImageAlt":442,"ogImage":443,"series":17,"seriesOrder":22,"readMinutes":419,"path":444,"href":292,"__fallback":25},"the-wrong-name-ranked-first","The Wrong Name, Ranked First","Hand a reverse chord lookup three notes and it leads with C6(no3) over the obvious Am7 - then warns about its own answer. Lookup isn't the problem. Ranking is.","2026-06-08","2026-06-10",[12,13,412,16,414,17],"\u002Fimages\u002Fblog\u002Fthe-wrong-name-ranked-first-hero.webp","A row of blank kraft-paper tags hanging from twine on wooden pegs against dark rustic wood, one tag embossed with a small acoustic guitar, warm light","\u002Fimages\u002Fblog\u002Fthe-wrong-name-ranked-first-hero.jpg","\u002Fthe-wrong-name-ranked-first",{"left":390,"top":390,"width":391,"height":391,"rotate":390,"vFlip":392,"hFlip":392,"body":446},"\u003Cpath fill=\"currentColor\" d=\"M7 239c-9.4 9.4-9.4 24.6 0 33.9L175 441c9.4 9.4 24.6 9.4 33.9 0s9.4-24.6 0-33.9L81.9 280 488 280c13.3 0 24-10.7 24-24s-10.7-24-24-24L81.9 232 209 105c9.4-9.4 9.4-24.6 0-33.9s-24.6-9.4-33.9 0L7 239z\"\u002F>",{"left":390,"top":390,"width":391,"height":391,"rotate":390,"vFlip":392,"hFlip":392,"body":448},"\u003Cpath fill=\"currentColor\" d=\"M303.2 413c-21.5 43.7-41.4 51-47.2 51s-25.7-7.3-47.2-51c-17-34.5-29.2-81.6-32.1-133l158.6 0c-3 51.5-15.2 98.6-32.1 133zm32.1-181l-158.6 0c3-51.5 15.2-98.6 32.1-133 21.5-43.7 41.4-51 47.2-51s25.7 7.3 47.2 51c17 34.5 29.2 81.6 32.1 133zm48.1 48l79.2 0c-8.6 74.6-56.7 137.3-122.8 166.4 24-42.8 40.3-102.4 43.6-166.4zm79.2-48l-79.2 0c-3.3-64-19.6-123.6-43.6-166.4 66.1 29.2 114.2 91.8 122.8 166.4zm-334 0l-79.2 0c8.6-74.6 56.7-137.3 122.8-166.4-24 42.8-40.3 102.4-43.6 166.4zM49.4 280l79.2 0c3.3 64 19.6 123.6 43.6 166.4-66.1-29.2-114.2-91.8-122.8-166.4zM256 512a256 256 0 1 0 0-512 256 256 0 1 0 0 512z\"\u002F>",{"left":390,"top":390,"width":391,"height":391,"rotate":390,"vFlip":392,"hFlip":392,"body":450},"\u003Cpath fill=\"currentColor\" d=\"M464 256a208 208 0 1 0 -416 0 208 208 0 1 0 416 0zM0 256a256 256 0 1 1 512 0 256 256 0 1 1 -512 0zm256-80c-17.7 0-32 14.3-32 32 0 13.3-10.7 24-24 24s-24-10.7-24-24c0-44.2 35.8-80 80-80s80 35.8 80 80c0 47.2-36 67.2-56 74.5l0 3.8c0 13.3-10.7 24-24 24s-24-10.7-24-24l0-8.1c0-20.5 14.8-35.2 30.1-40.2 6.4-2.1 13.2-5.5 18.2-10.3 4.3-4.2 7.7-10 7.7-19.6 0-17.7-14.3-32-32-32zM224 368a32 32 0 1 1 64 0 32 32 0 1 1 -64 0z\"\u002F>"]